Quebec City and Montmorency Falls
While visiting Maine recently, I drove to Canada for the first time. After crossing the St. Lawrence River into Quebec City, I made a wrong turn, ending up at this intersection where folks were going about their everyday lives around a bodega and bus stop. Waiting for the light to change, I debated if I should just stop and explore there. Instead, I kept going and found a parking garage on the waterfront.
I’d end up spending most of the day wandering around the city’s tourist areas and Montomorency Falls before heading back to the States.
That quick trip—and what I briefly managed to see of Quebec City—was lovely, but I regretted not returning to the first area I’d accidentally wound up in. Maybe I could’ve found some local dive where someone would’ve ranted to me about the Quebec Sovereignty Movement over the course of several drinks.
A few days later, I was reading a book that had nothing to do with Canadian politics, travel, or living in the present. It did have this line that stuck out, however:
“But do I really remember [these moments] or are they only memories built from photos?”
I should’ve gone back to that neighborhood. At least I have the following photographs, though. Most made with the digital camera and others made with a Pentax K1000 + Kodak Ultramax 35mm film.
Funiculaire du Vieux-Québec.
Digital
Street art along Rue Saint-Jean.
Digital
“Life Jackets” (2022) by Chinese artist Ai Weiwei. Created by repurposing life vests once belonging to Syrian migrants who fled to Greece. The installation is fitted around Quebec City’s Royal Battery. Part of the ninth edition of the Passages Insolites public art festival.
Digital
Museum of Civilization.
35mm.
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